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Harley Bradley House and the adjacent Warren Hickox House, the very first examples of Wright’s revolutionary Prairie Style: low-slung, landscape-hugging structures accented by Wright’s furniture designs; expanses of lustrous, quarter-sawn oak woodwork; and his own beautiful art glass windows.Please ask if you would like additional photos or more in-depth descriptions. All items being offered on this website have appropriate provenance and are legal to buy and own under the United States statute covering cultural patrimony Code 2600, Chapter 14. It is quite remarkable that this very large vessel has never been broken. Originally acquired by Chris at a charity auction in Pasadena, CA in the 1970s. These Inca examples are all of similar shape and made of hammered copper. Ample deposits present; a few small areas of white caliche encrustation on one side. Their art shows strong Olmec and Tlatilco influence as is seen in the prominent lips and pierced eyes. A nice example from one of Mesoamerica's earliest cultures. The top section is divided into quadrants each with a central figure. The spout is in the form of a penis with the strap handle attached to the side. One whistle has been returned to working order, the other is non-functioning. The Abrams made their fortune in the publishing business and were avid collectors of fine art and artifacts. Much of their collection was donated to numerous museums. Constructed of reddish earthenware covered overall in a cream slip with red, orange and black painted designs, typical of the type. Approx 4.5" tall x 6.5" across 5 — West Mexico 200 BC - 100 AD A Chinesco seated female figure from the Nayarit region of Western Mexico. The two shown here are incomplete; each is missing a portion of one side. The beaded feather assemblages are repeated along the top of the headdress along with tassels and circular appliques with carved geometric designs. In one hand is a spherical object, likely representing a pottery vessel. 0 — Ecuador 300 BC - 500 AD A Bahia vessel from ancient Ecuador. 0 — El Salvador 400 AD - 700 AD A Maya glyph bowl dating to the Classic Period. Both arms are extended upward in a welcoming gesture. 00 — Peru 900 AD - 1200 AD A Chancay woven textile panel from ancient Peru. The central image is divided by a red band, half in a curving serpent-like design, the other half in a basket-weave pattern. The lower half of the vessel has incised geometric designs known as the 'flame-brow' motif. The flame-brow design originated on Olmec pottery from approximately 1000 years earlier and has also been seen on Maya vessels of eastern Mesoamerica. The surface is an orange buff terracotta with a few areas of fire clouding. A superb example that is larger than most of this type and displays dramatically. An incredibly rare matched set that are massive in size. This very thin-walled vessel shows expert craftsmanship; exceptional construction and is nicely painted with red linear designs against a golden yellow ground. The rounded spherical lower chamber sits on pointy, cone-shaped tripod legs. Surface shows minor wear and paint loss with light erosion, all consistent with age. Large figures of shamans, such as this one, are indicative of their high status in Jamacoaque culture and are often depicted displaying their ceremonial paraphernalia as symbols of power. There are light stains (sticker residue) on both sides. Included is a small, but lovely Maya stone celt, also from the Classic Period. Pendant - Approx 6" tall x 3.5" across x .25" thick. Celt - 1.75" long x 1.25" across x 3/8" thick 5 for both — Costa Rica 200 AD - 600 AD Two Costa Rican Axe God celts (pendants) from the Guanacaste/Nicoya region. It depicts an anthropomorphic figure with hands across the chest. Just under 9" across x 3" tall 0 — Costa Rica 1200 AD - 1500 AD Large Costa Rican "Castillo Incised" blackware tripod rattle vessel dating to the Late Period. 0 — Costa Rica 400 AD - 700 AD Very large Costa Rican tripod rattle vessel from the Central Highlands - Atlantic Watershed Zone, dating to Period IV-V.Every purchase comes with a written certificate of authenticity (COA) and are fully guaranteed to be as described. Shipping options are USPS Priority Mail, UPS Ground and Fed Ex. — Mexico 200 AD - 750 AD An exceptional Teotihuacan vessel dating from the late Tlamimilolpa Phase to the early Metepec Phase. Its size, form and condition make this an amazing example that displays dramatically on the custom metal stand which is included. There are three sizes here, possibly representing different monetary denominations. The surface is also slightly clouded by a salt-lime haze which could be cleaned, but is currently in original, as found condition. The figure is shown seated with one arm outstretched, the other curled to the chest and is wearing a broad collar (necklace), turban style headwrap and large circular earspools. A small portion of the headdress has also been restored, otherwise intact. Two human figures with arms held upward and wearing crescent shaped 'solar' headdresses along with two monkeys (or felines) shown in profile also wearing solar headdresses. At the base of the handle are two ball-shaped objects (appearing as testicles) which form the whistles. A crack in the main body has been stabilized and restored. Minor scrapes and dings present along with deposits and some fire clouding. The remainder was later sold through various art auctions in NYC. A flared bowl sits atop three large jaguar heads, each containing their original rattle balls. The figure is of hollow construction with red, tan and black painted and burnished surface. 0 — Peru 400 AD - 600 AD A large and impressive Moche Phase IV portrait vessel from the Northern Coastal region of ancient Peru. 50 — Costa Rica - Panama 1100 AD - 1450 AD An unusual pottery vessel in the form of an armadillo. 5 — Peru 1000 AD - 1400 AD A Chancay painted bowl from ancient Peru. Outside of the obvious losses, they are intact with nice deposits. The face and hands are painted in yellow-gold pigment, otherwise covered in a cream-tan slip with deposits and some root marks present. Assembled from original pieces (as is common) with break lines restored and minor losses replaced. In the other hand is a five-lobed ceremonial rattle. 0 — Peru 700 AD - 1000 AD A rare Wari aryballo (water transport vessel) from ancient Peru. The vessel is rounded with a flat bottom and has a flared spout. Rounded bottom with corseted sides; an elegant form. He (she) smiles widely exposing filed teeth and has almond shaped eyes. It depicts a central band of stylized birds with rows of waves (water motif) at the top and bottom. The gently curving sides of the bowl are finely painted in diagonal stripes. The back is completely painted with parallel lines in black on tan. Assembled from approximately six original pieces with breaklines partially restored and slightly visible. The cream colored surface is nicely burnished inside and out with areas of orange and black (fire clouding) on one side. Assembled from three original pieces with breaks restored. Minor surface wear, dings and scratches along with light deposits consistent with age. By far the largest examples of this type I have ever seen. Condition is very good, near excellent with a small hairline crack and minor rim chips restored. Around the top of the lower chamber is a band of incised decoration done in a repeating triangular pattern. 7.25" tall x 7" across 50 — Mexico 300 AD - 400 AD A medium-large Teotihuacan tripod vessel dating to the Early Xolalpan Period. Constructed of tan terracotta with orange pigment on the face and nose ornament. Carved from green speckled stone with earthen deposits. The headdress is two alligator heads facing outward. Restoration to the corner of the head and one foot. The exterior is nicely incised with complex geometric patterns. It has pierced tapered tripod legs, each containing numerous small rattle balls.Close but not too close to big-city hubbub and high-rises of Chicago, Kankakee County offers a refreshing down-to-earth mood: golf, hiking, kayaking, biking, delicious wine bar visits and more.This year, the fun is amplified by the region’s special spotlight on world-famous architect Frank Lloyd Wright’s profound Kankakee connection.Provenance and accurate, detailed condition information is included with each listing. Discount may apply on the purchase of multiple items. International sales (outside of the United States) require payment via Pay Pal. An elaborately sculpted depiction of the Teotihuacan 'Storm God' deity or Water God, also known as Tlaloc by numerous other cultures. A larger one flanked by 2 medium sized ones are displayed on a custom metal stand. A lovely example from a seldom seen Bolivian culture. Hollow construction from buff terracotta with areas of red pigment remaining at the waist, ear spools and headdress. The background areas are covered with raised dots, representing rainfall. Intact with no cracks, breaks, repairs or restoration. A fine and very early example of erotic art from that region. The jaguar motif continues on the interior of the bowl where a row of four stylized felines circle the inner rim. A classic depiction of the Chinesco 'Type-D' style. This life-size example portrays an individual with chubby cheeks; possibly a depiction of a 'coca chewer'. Heavily potted from a coarse gritty clay indicative of Costa Rican wares, but shows strong Panamanian (Cocle) stylistic influence. Rounded bowl with nearly straight neck and rolled rim. The hands are nicely sculpted and show painted fingernails. The head is intact with only two spout chips restored. Approx 13" tall x 8.5" across 5 — Costa Rica 400 AD - 700 AD An unusual tripod rattle vessel from Costa Rica's Atlantic Watershed Zone. Redware construction with opposing loop handles and flared spout. A male figure emerges from the upper shoulder of the vessel. Nicely painted with a band of glyphs or pseudo-glyphs in vibrant shades of red and black against a tan background. The headdress features an interlocking, woven mat design in high relief. The lower edge is decorated with long rectangular strips (fringe). Minor paint enhancements and light deposits present. The plate (shallow bowl) is flat on the bottom and shows the central image of Tlaloc. The upper bowl is identical in form to the plate, flat bottom and widely flared rim. Scattered deposits and some very light surface wear. Above that is a domed platform topped by a large seated figure with hands resting on his legs. A cylindrical bowl sits on three hollow, rounded legs. 5 — Panama 600 AD - 800 AD An attractive Cocle polychrome pedestal bowl from ancient Panama. The stomach protrudes slightly, possibly indicating pregnancy. Faint traces of other colors remaining in some areas. The bowl sits atop three hollow mammiform legs, each containing a rattle ball. The legs support a semi-hemispherical bowl with curving shoulder that is decorated with appliques and incised bands, topped by tall chimney-type neck and flared spout. A large section of the neck has been replaced along with other repairs and surface touch ups.